Latest work: Posters for Department of Social Science

I have been working with the Department of Social Science at Goldsmiths these past few months on their upcoming journal. I've also done some design work for other projects within the department organised by the Centre for the Study of Invention and Social Process. Posters found in the elevators of Warmington Tower! I have two others coming up and will post pictures up once I catch them around the college.



Latest work: Nour Festival of Arts 2014


A long project, I was happy to be taken on again to brand the 2014 Nour Festival of Arts. Sticking with the identity created in 2013, I wanted the 2014 catalogue to be different, but recognisable as the festival. The colour has become the key factor in this. For 2014, I used a cobalt blue, which I felt resonated with the Royal Borough of Kensington and Chelsea. Alongside the catalogue, I designed postcards, posters, and standing banners. Will photograph the catalogue properly soon!

Link round-up - 13 November


  • Swingsites for Singles: Fascinating article about a format of housing that thrived during the 1960s.
  • American Psycho Reimagined: A very interesting experiment by two RISD students who emailed the text of Bret Easton Ellis' book back and forth via gmail, and annotated the book with the ads that google generated.
Been enjoying Facebook's "Save for later" option. Here are some picks collected from friends:
  • The History of the Great British Weekender: I've never been to one, but after reading this, I'm intrigued. Great piece on the UK dance scene.
  • This is Color: Facts and history on colours
  • Classical antiquities in colour: There was a point in time when I wondered why there was no colour. But then someone mentioned it to me years ago and I started viewing things completely differently in museums. Funny how we choose to ignore this fact because they look 'uglier'!

Planners

Anyone that knows me knows that I use a planner every day. My planner - or agenda as I grew up calling them - goes with me everywhere. It is filled with notes, to-dos, appointments, books to read, songs to listen to, films to watch, etc. It has a multitude of markings in different colours, random legends, and other doodles. I don't keep track of my diet or other things, it's purely appointments and things to remember. Sometimes there are notes from lectures, meetings, or scribbled information. Stickers are usually adorned on the front or back, but never within the pages.

For 2015, I was looking to step away from my usual Leuchtturm 1917 which I've been using for two years (2013 was hard cover A5 weekly and 2014 is an A6 soft cover daily). It has served me well, but I wanted a change. Previously I used Moleskine, but found something irritating about them. Leuchtturm has been solid (despite the elastic giving out this year), but I wanted something more minimalist, but not super expensive either. I set out on the hunt and found that Japanese planners were ones I've yet to try. I was interested in the Hobonichi Techo since I read about it but where it's available in London it's £35. Ordering online may prove difficult as customs and vat charges might make it more expensive.

I found a B6 mark's storage it daily which was similar but not available in the UK and the web shop is in Japanese (good review of it here). Then I found it on some online shop based in Italy, but after everything it was €38! Too bad...it was perfect. The ones available through Bureau en Direct were weekly and aesthetically didn't appeal to me.

Then I stumbled on a website called Present and Correct which had a large selection, and happened to have a shop near Angel station. I was fond of this one in particular.
It seemed to have everything I wanted in a planner, and with a decent price to (£16.50).

Before having the chance to visit the shop, I stumbled on a Japanese shop in London which sold Midori while walking aimlessly in Central London. These seemed like the perfect mix, even though the paper and aesthetic of the planners weren't convincing. Thinking my mind was set, I headed over to Present and Correct the next day, to get a feel for the products. After debating for about twenty minutes, getting upset over some translation issues in some of the planners, and discussing with a semi helpful shopkeeper (you'd think he would be more interested since I was the only customer there), I decided to go with my initial choice from Delfonics. The brand has a minimal aesthetic, although there are a few things that, as a designer, get to you. I realised after I purchased this that I had a folder from this brand which I bought years ago at the ACE hotel in NYC.

Weekly pages - horizontal
 The planner itself is basic and it has all the essentials: monthly view, weekly view, and notes pages. On the monthly views, there is a section for a to-do list, which is great. In the back, you'll find some maps of metros - Paris and Tokyo. The cover is in German so it's weird that Paris is there. One issue is that it has those removable edges rather than a bookmark, and those remind me of planners from elementary school days. The Japanese like their cases - and this one comes with a plastic case. Now it's not the most pleasing looking thing, but I've decided to keep it on the lenin cover because it has pockets to put stuff in and a pen holder (super helpful). This is great because it's all added extras with the Midori. I've given it a try - re-entering some 2014 appointments (it starts October 2014). The paper is nice, but thin, which means rollerball pens bleed over. What I like about it is that it has a monthly overview (Leuchtturm and Moleskine only have the 'at a glance'), and just tiny conveniences spread out through the planner. The weekly pages are horizontal, but they have planner (this one) where it's vertical.

Back blank notes pages - square
So far, I think I'm getting readjusted to the whole weekly thing after a year of Daily. I'm also getting adjusted to the hardish cover, being used to the soft leather like one from my previous diary.

For about a year I've played with the idea of developing my own, but my issue is production. Both blurb and lulu can be potential options, since many printers in London would cost a fortune to produce one. Maybe once I get some more time, I'll be able to really work out a design that's absolutely perfect for me.
Metro maps in the back

Scheduling the first few months of 2016

Yearly schedule (2015) at a glance

Bad taste is ubiquitous

The end of September is both a sad and a happy time. It represents the official sad end of summer and the sudden appearance of cold weather. It also represents the somewhat end of wedding season. Now I am not against weddings, but elements of weddings. They continue to prove - through every facebook post and instagram image posted - that people have incredibly terrible taste, and no creativity. Weddings are proof that photographers, wedding planners, and print shops pretending to be design studios, are making a lot of other money and fooling people into thinking their wedding is unique or interesting.

The worst thing about weddings - aside from the predictable elements of each one I've seen recently (prove me wrong people, prove me wrong!) - has got to be the decision to have bridesmaids and groomsmen. This tradition needs to be abolished. I just can't stand looking at the pictures, the unflattering dresses, the mismatched colours...

Then comes other predictable items, the ones that make all weddings seem like clones of each other: the photo booth, the mason jars, the chalk board with bad hand lettering, the typewriter typeface, the 'fun' child-like one, or the calligraphic one, terrible engagement photos, video trailers, and the poses to name a few (you know where everyone's jumping in the air?)...I can't tell weddings apart thanks to these things.

Link round-up - 21 September 2014


I have been writing this round-up for what seems like forever, mainly because I have just never sat down and finished adding all the links! So I added a few more and think that settles it for this week.

"The news is for idiots"

“The news is for idiots” was a comment I saw on someone posting their opinion on a certain situation. This view however is shared by many. It is better to avoid reading it and pretend not to have an opinion on any matter. I decided to briefly analyse my Facebook feed, and describe feelings and actions of those who are ’non-political' (self-proclaimed) on specific events this summer, and on other relevant issues. Here are the results: 

  1. Syria: indifference
  2. ISIS: “we in the civilised world” or indifference
  3. Gaza: indifference or simplified as “Give peace a chance!”
  4. Russia/Ukraine: indifference or “always knew they were corrupt bad guys, Bond told me!”
  5. Ebola: indifference
  6. Brazil: indifference, except of course when it came to the score of the world cup matches
  7. Olympics/World Cup news: as long as those stadiums don’t delay the opening ceremonies, I’m indifferent
  8. Ferguson: Some are outraged, some are completely indifferent
  9. Tim Horton’s being bought out by Burger King: mild outrage
  10. Gay rights: If there’s a party, I’m there!
  11. Canadian government making atrocious decisions: mild uproar
  12. Rob Ford smokes crack: outrage
  13. Airline crashes: mild indifference or trip cancellations or boycotting the airline
  14. Celebrity death (A to C list): devastation
  15. Parking ticket: outrage
  16. Aboriginals: "I guess it’s important, but I really don’t know anything"
  17. A TV show gets cancelled: sadness, calls for a Kickstarter to be created begin
  18. Reduction of cycling lanes: outrage
  19. Someone smoking on a non-smoking patio: more outrage than drunk driving
  20. The weather: depends on if it’s good or bad
  21. Ben Affleck as Batman: petitions signed
  22. Justin Bieber’s behaviour: petitions signed
  23. Cell-phone provider policies: blind rage
  24. Ice bucket challenge: “yay looks fun, and I’m doing good!” “What’s ALS?” “Why are people wasting water?” And of course, moral superiority that we waste water in other ways, why is this any different?
  25. Jennifer Lawrence nude photos leak: moral superiority

Link round-up: 21 August 2014

A collection of interesting links from around the internet:
  • A look at the transformation of the music industry. Whereas the GIF is going way too quick for anyone to actually read the graph, they do offer separate links to each year. 
  • Why contemporary art is exclusionary. A very interesting discussion on how contemporary art is becoming more exclusionary. I would also argue that it is becoming commercialised in a very different way: it's becoming a larger interest in the mainstream (Marina/Jay-Z as one)
  • To kill or not to kill comments...that is the question. A friend once said "before the internet, did Trolls write letters to the editor everyday?" Comments are useful, but can also be violent and awful.
  • Rebel Architecture. A new six-part series coming soon to Al-Jazeera (link leads to trailer and some information on the series). Lots of interest recently around "activist architecture", "architecture without architects", and being "against" a certain form of architecture.

Currently listening - August 2014

June and July saw Rhye, Todd Terje, Maurice Fulton, and Blood Orange on loop but on the playlist these days is leaning towards some great throwbacks:
  • "8 Ball" by Underworld

  • "Is it good to you" by Heavy D & the Boyz

  • "I'm not feeling you" by Yvette Michelle (remember Funkmaster Flex's "The Mix Tape Volume II 60 Minutes of Funk"?)

  • "Rock the Discotheque" by Justin Winks vs. Casio Social Club

  • "New York" by Kerrier District

  • "Strawberry Bubblegum" by Justin Timberlake


  • "Clairevoyage" by Mungolian Jet Set's 16th Rebels Of Mung (Ft. Lindstrom & Dominique Leone) - absolutely adore this one since I heard it on Skatebard's mix for Sid Loves Turbo back in 2007. Can't find a YouTube video or sound cloud, but I've embedded Skatebard's mix for Sid Loves Turbo. The song starts at 07:30 (the whole podcast is worth a listen)


  • "Bad Girls" by Donna Summer (I blame watching Arrested Development...this played twice and just got stuck in my head!)

Link round up: 30 July 2014

A collection of interesting links from around the internet:
  1. Brilliant campaign here. I've heard from someone that Istanbul (I've never been) has a great culture of feeding stray animals
  2. A prehistory of the electronic music festival - Not so long ago, EDM festivals were not common.
  3. Cities and ambition - quite dated but an interesting read. Would be particularly interesting to read something that isn't so centred around North American and European cities though 
  4. Fashion Logos - some history of five of Another Mag's favourite fashion logos

Times like these...

At times like these, the words of Sa’dallah Wannous are very relevant. 
"My life has neared its end and I still dream of saying “No.” I wanted, and I want to say “No” to the “Yes” citizen, to the prison-homeland, to the modernization of the methods of torture and domestication, to the official discourse, to the visas for Arab countries, to the fragmentation and the division, to the referenda of the 99.99 percent, to the balloon celebrations, to the war that strengthen the police, to the victories which offer the leadership of the Arabs to the oil princes, that increase the gains of the businessmen, and lead to the agreements of Camp David…
I wanted and I want to say “No.” And I search for my tongue but find only a foam of blood and fear. 
From my severed tongue the defeat started, and the funeral procession set out … From my suppressed “No” the enemy got through, as well as the separation, the poverty, the hunger, the prison, the torturer, and the contemporary Arab collapse… 
Briefly, if it weren’t for my suppressed “No,” half of me wouldn’t be in the coffin and the other half dragging itself behind it. And my deprivation from my “No” made me not only into the victim and the spectator, the dead and the mourner, but also into a conspirator… 
…[T]he “No” citizen is, for the Arab thrones, a bigger danger than the Israeli danger, and a conspiracy worse than the imperialist conspiracies… 
…And until I recuperate my suppressed “No,” the funeral procession will continue, with us dragging our tails behind it."
Sa'dallah Wannous, "Ana al-Janaza wa al-Mushayyi'un" (I am the Deceased and the Mourner), in Al A'mal al-Kamila, 3, pp. 440-42, as quoted in Elizabeth Kassab's Contemporary Arab Thought, pp. 56-57) [via kalimatmagazine]

Times like these also remind me of Mona Hatoum's work 'So Much I Want to Say' (1983). 


Via Al-Ma'mal Foundation
"The video So Much I Want to Say consists of a series of still images, changing every eight seconds, which show the artist's face in close-up with a pair of male hands gagging her mouth and preventing her from speaking. Meanwhile her voice on the sound-track repeats over and over the words of the title. This is one of Hatoum's earliest video works and is based on material from a live performance. During a tour of Canada in 1983 she participated in a slowscan video exchange between Vienna and Vancouver entitled Wiencouver IV. Slowscan satellite transmits an image every eight seconds, with continuous sound via telephone lines. Hatoum's contribution, transmitted live from Vancouver, was also titled So Much I Want to Say. The video work uses footage from the live transmission. It was made at the Western Front Art Centre and is a Western Front Production.  
[...]
In So Much I Want to Say the male hands, which gag Hatoum's mouth, form a physical and visual barrier between the artist and her audience, which seems on one level to prevent her from being seen, heard or understood. They provide a symbol for a cultural elite which stifles the voice of society's dispossessed, those who are alienated through their race, nationality and gender. By presenting images where she appears to be silenced, Hatoum exposes the predicament of political minorities who are silenced or ignored. Her ineffectual struggle to pluck the hands from her face contrasts with the persistent repetition of her voice on the sound-track, demonstrating that it is through her artwork that she has found a channel for her political ideas."
Text via Tate Modern
The video can be seen here

Quitting Tumblr and the return to Blogger

I've had up and down relationships with blog hosting services. When I first started blogging in 2007, I used blogger, but then I moved the blog to Wordpress because you couldn't have pages on Blogger at the time. Then I started another blog on Blogger, and a year later, 'microblogged' on Tumblr. I updated my Blogger more often, then I stopped updating both, and then I closed down my Blogger and started updating my Tumblr instead. A few weeks ago, I realised that Tumblr is the last place for long text pieces and contemplated reverting back to Blogger (if transferring posts was easy). I finally decided to call it quits when I stumbled on this post from 2011, which has many things I agree with. Tumblr was a space that glorified the most mundane of posts, and it wasn't engaging in any form of dialogue (the fact that you have to install third party comments is proof enough), which is just irritating.

My Tumblr is still there (I've been meaning to write a post redirect people to this blog but have not gotten around to it), which is good since a) I have not finished reposting all my posts from Tumblr, and b) it seems a lot of my audio posts aren't transferring into Blogger so easily. It's funny... it seems that, no matter how much I try, I always come back to Blogger. I think the reason for that is simplicity. Nowadays Blogger has a pages function, and even though the templates aren't aesthetically pleasing (what's up with the ugly drop shadow behind photos you have to remove from the HTML code?), I'm willing to forego that for comfort.

This is the American Weapon.

This is the American weapon. I took this picture in Gaza in August 2002. That was my first and only visit. The rubble is a former apartment building, which was destroyed by Israel via air because they suspected a Hamas member was hiding there. None of the occupants were evacuated from the building before it was destroyed. Gaza is an open air prison, and as I type this, its citizens are under constant air strikes from Israel.

What’s most frustrating is that media coverage and responses from world leaders (mostly West) continue to be one sided: always putting Israel first and Palestine second. The word “disproportionate” in regards to many things is completely non-existent.

BBC announcer on Brazil vs. Germany match

It’s getting to the point where the scoreboard will start spelling out the score… 

- BBC announcer on Brazil vs. Germany match

Don’t judge books by their cover – especially Arab works in translation| The National

Don’t judge books by their cover – especially Arab works in translation | The National

As a designer, I felt annoyed while reading this article. Despite agreeing with a lot of the author’s points, I also felt that it would’ve given it something more if she had bothered interviewing designers who work for these publishers. The fact is designers rarely have a final say when it comes to marketing. This neglect of a designer’s opinion makes us designers yet again seem irrelevant in the process.

The blame cannot just be put on marketing when it comes to stereotypical covers however - authors and translators likely play a role in constructing the brief. As a designer, I can’t tell you how many clients (both Arab and non-Arabs, both educated about the region and those merely interested in it) have asked me for “Arabian looks” that are nothing more but silly stereotypes. Yes people do judge books based on their cover: the proof that good design works is everywhere. When I browse a bookshop and come across books in translation, I often shake my head in disapproval. Frankly, I question a publisher who has the nerve to favour marketing over content.

I’m not saying designers are innocent either: the fact that the design profession is so reliant on the client allows this to happen. Rarely do designers question this unquestioned service to clients (it is their paycheque after all), or argue against the contents of a brief. But this is also the problem with universal/standard design. I’m certain when designers think of the Arab region the first imagery available to them is arabesque, veils, mosques, camels, turbans, and geometry. Context is everything - there is no one size fits all solution.

I believe that publishers need to start thinking about having teams of designers designated to work on specific regions - designers that are aware of the places they are designing about. Or better yet, publishers should hire an experienced and knowledgeable freelancer familiar with a specific region and who is capable of giving them an informed critique. Either way, designing book covers is like translation: the wrong choice can alter the meaning completely.

Updated Flickr

Raouche, Beirut Raouche pigeon rocks, Beirut

Finally got around to updating my flickr after four years! I’ve been travelling a fair bit lately taking pictures and I realised it’s just great for archiving. Will likely be adding some more in the next bit.

The shape of buildings


The Gherkin sure has made an impact in its relatively short life: doppelgängers in all sizes in Barcelona, Beirut, and Doha…although Jean Nouvel designed both the one in Barcelona and in Doha. Recycling much?

Bye Bye Barcelona



On my second visit to the Catalan capital, where I was attending the FAD conference, I was able to discover a lot of it on foot. I enjoyed being able to cover most of Barcelona in this manner, something almost unheard of in London. I was impressed by many things, but I was disappointed by a whole lot more. What I often thought about was who this city did not belong to, and of course this made me think of Lefebvre’s concept of the right to the city. As Harvey (2008) states, “We live, after all, in a world in which the rights of private property and the profit rate trump all other notions of rights.”[via]

Since my research deals with this concept of locality, I thought about the absent local life in Barcelona. The city itself, as the documentary I stumbled on discussed (above), is nothing more than a theme park, a European Cancun of sorts, made entirely for the enjoyment of tourists - tourists who live as though they’ve never left home (I witnessed an American tourist buying American scratch cards at a shop and was shocked). The entertainers on La Rambla seem out of place, as if they are stopping over before completing their journey to Las Vegas. The hamburgers and frankfurters that flood the menus are also out of place. I’ll be the first to admit that I personally have never enjoyed food anywhere in Spain (in all five of my visits to different regions), but there are so many alternative cuisines around the city from all over the world it’s easy to find something affordable and good.

I wondered then, what was the appeal of such a place? Why are people flocking to come here? It’s overcrowded wherever you go, and most of the tourists (as the documentary differentiates between three types of visitors: tourists, travellers, and voyagers) have no idea what Barcelona or Catalonia is about.

On the plane over to Barcelona, I had written a whole piece on travel guides and how they only cater to the super-rich, or the typical tourist routes. After watching this documentary however, I felt that sharing this film was much more relevant and important since these are issues we are witnessing in cities worldwide.

Sources:

Notebooks


Notebook accumulation since beginning my MA in 2011. Actually this is not that accurate (many are missing!). Let’s call this the notebook accumulation since I moved to London in September 2012.

Check, 1, 2

Trying to make sense of my edits.
Double checking the reference list is best done by writing it down in order to make sure you didn’t miss anything.

On taste


Back when Ugly Betty was first on the air, my sister and I used to watch it whenever it aired. I’ve recently gotten back into it (upon realising it’s on Netflix!), and remembered how incredibly well-written the show was, and how wonderful all the actors performed their characters. This is one of my favourite Wilhemina Slater scenes from the show (particularly at 0:46) - played brilliantly by Vanessa Williams.

What is interesting about this scene is the whole subjective/objective argument, which comes up a lot in the art and design worlds. Often, poor work goes on to collect praise, rarely facing direct criticism in the press.

Unlike most of the design discipline, I feel as though fashion is one of the only ones with a healthy culture of criticism in its publications: editors have no problem writing about boring runway shows, bad collections, and poorly made garments.

Vision & Articulation 2014 - Festival Programme PDF

I worked on giving the Goldsmiths Graduate Festival a new look this year with a fellow PhD colleague. The festival, which is organised entirely by graduate students at Goldsmiths, launched today and goes on until the 16th of May on campus. Featuring a ton of research presentations, installations, exhibitions, conferences, and performances.

goldgradfest:
The PDF version of the festival programme can be viewed below and you can also download a copy here.



Latest Work: Amman Design Pop-Up Shop

We often set our eyes on ‘design capitals’. We are so focused on what’s happening in those ‘capitals’ that we ignore the great movements rising up nearby. Amman is a city often misunderstood and underrated - after all, its reputation is based on hearsay. But the city formerly known as Philadelphia is, in many ways, a sleeper star in design. The pop-up features a selection of work, ranging from prints, to jewellery, to quirky furniture, and is meant to invite viewers into the design scene of a city that will surprise you.


Created with Admarket’s flickrSLiDR.


Pictures from the Amman Design Pop-Up Shop, which I curated for Katara Art Center (KAC). It is extremely difficult to be absent at the install and opening of your show, but I am happy that the KAC team did an exceptional job setting everything up.

More about the show here: http://bit.ly/1iNb2QJ

Methodology chapter complete…or so I think. This video shows how I feel right now.

Aeropress


Ugly packaging, great machine. Finally got my hands on an Aeropress (through Brown Bear Coffee Company), and I must say…the coffee is amazing. I’ve been using a ceramic coffee dripper for about three years (which I do love), then switched to French Press temporarily (which I didn’t particularly enjoy), and then back to dripper. Now the Aeropress joins the family!

Classic album covers in Google Street View – in pictures

Link: Classic album covers in Google Street View – in pictures
Also worth a browse, old paintings of London in modern settings

RIP Ultimate Warrior

 A few days ago I was browsing Tumblr and I stumbled on an article about the Ultimate Warrior being inducted into the WWE Hall of Fame. Today, a sad article announcing the Ultimate Warrior’s sudden death appeared in Google News.

As a child, I watched wrestling religiously (this was way before WWF became WWE). Ultimate Warrior was up there on my list of favourites, even though by the time I really got into watching it, that generation was in many ways over, and the WWE found itself in a particularly low period due to scandals (these are details of WWE politics one seems to understand only as they grow older, when you’re young, you just wonder why all the wrestlers you grew up with are suddenly over at WCW).

RIP Ultimate Warrior.

Kalimat Issue 09

Hard to believe it has been three and a half years and nine issues. Kalimat Issue 09 is out - and it’s back in our initial format: online! Read it here: http://bit.ly/1gG2JZS and for a limited time, you can download a free PDF version. Of course, don’t forget the podcast: http://bit.ly/1l7A53o (free to download or stream)

Kalimat | Issue 09 - Vol. IV
Kalimat is an open outlet for political, social, and cultural expression for Arabs across the region and the diaspora to share their ideas and work. www.kalimatmagazine.com

Monument to the Simulacrum


Monument to the Simulacrum in Las Vegas by Stephen Hendee

Denham Psycho


Really clever advert (despite the acting being a bit overdone) parodying the business card scene in Bret Easton Ellis’ American Psycho, themselves (Denham), and Denham customers at the same time. Posting this is also quite fitting, as I just posted something about denim!

More about Denham the Jeanmaker

April77

April77 knows how to do packaging. Purchases come in black tote bags and a vinyl record (downloadable as an mp3 also)
Sad to see these guys go, but looking forward to their new projects. Also upset at missing their show at Dalston Superstore :( Listen to the recording of their last live show in Manchester up top.

Vision & Articulation | The Goldsmiths Graduate Festival 2014

Vision and Articulation | The Goldsmiths Graduate Festival 2014 | 6-16 May 2014

Call for Papers | Deadline for Abstracts: 24 February 2014

 The Goldsmiths Graduate Festival is a celebration of postgraduate research in Goldsmiths and internationally. It is organised by and for postgraduate research students. The 2014 Festival will focus on ideas of vision and articulation:
  • How do we conceive of innovative ideas?
  • What methods do we use to articulate, embody or perform those ideas?
  • What is the interface between criticism and analysis in the creation of new knowledge?
  • How do the materials that we work with inform, or determine, how we think, or what we can know?
Proposals are invited for 15 minute papers, presentations, performances and exhibitions that articulate the vision that underpins your research. Use the theme of this year’s festival as a springboard to present your work in a supportive environment. Make links with other researchers across Universities. Gain experience as a presenter, organiser or chair of a panel.

The Festival is scheduled to take place over two weeks, and will consist of a broad range of activities including performances, exhibitions, film screenings, keynote speakers and master class discussions with prominent intellectual figures.

Students are encouraged to collaborate across the stages of their research, to suggest panels and thematic streams. The Festival will be open to all students to attend and to external audiences. We invite papers and presentations from postgraduate students, and particularly students from our partner organisations in CHASE and Design Star, our AHRC Doctoral Training Partnerships; IGGI, or EPSRC Doctoral Training Centre; and Queen Mary, our ESRC Doctoral Training Centre partner.  International participants are most welcome.

How you can be involved?
  1. Propose a paper: Submit an abstract of 300 words, outlining your name and departmental location, the title of your presentation and a description of its main arguments. Presentations will be 15 minutes and we would recommend that you address your paper to a broad academic audience. We will accept proposals from all MPhil/PhD students regardless of what stage they are at in their doctoral work.
  2. Propose a Performance, installation, event, or screening: We would also like to receive any ideas that students might have about ways to animate their work be it through performances, installations or related events that can be scheduled during the Festival.
  3. Propose a panel: We would also like to see proposals for panels of 4 papers, of 15 minutes each, on a shared theme which would last for no more than 1 hour 30 minutes. This means 30 minutes would be left for Q&A and discussion at the end of you panel. Panel proposals should include abstracts and we would like to encourage collaborations between academic disciplines and also between students at different stages in the academic work.
  4. Submit a Poster: Goldsmiths Library will be hosting a poster exhibition of current research. Articulate your vision in words and images: submit an A3 poster to the Festival.
  5. Chairing panels: You can also be involved in the organisation of the event as a chair of a panel and we will provide guidance with regard to how to do this.
Upload your abstract or proposal to the Graduate Festival area of the Virtual Graduate School at: http://grad.gold.ac.uk/festival/.

Details of past festivals, including abstracts, can also be found here

If you have any further queries, please contact the Graduate School Office.

Think Twice

I first came across this song via the Ralph Myerz and the Jack Herren band version many years ago (excellent version). “Think Twice” has been sampled by Armand Van Helden for “Flowers”, by A Tribe Called Quest for “Footprints”, and by Main Source for “Looking At The Front Door” to name a few. I absolutely adore this edit by Prince Language, which I cannot stop listening to.